
It’s really neat to see something so familiar in a completely unfamiliar context. Here’s a view of the Statue of Liberty’s head, outside in the Paris workshop where it was constructed.
A few photos were featured at How to be a Retronaut, but they’re originally from the collection of the New York Public Library, and you can see a bunch more just by searching their site.
One of the things that I’ve always casually wondered about the Statue of Liberty was whether it had always been green. It’s made of copper, I knew, and I knew that copper turns green — it’s used on the roofs of the Canadian Parliament buildings, for example, and I have a vague childhood memory of my dad telling me the same about my elementary school, but it may have just been painted a similar green, and it’s certainly not copper now.
However, copper takes a few years to slowly age itself to green, and I wondered if, when the Statue of Liberty had been erected, it had been a bright copper instead of subdued green. (It kind of looks copper in the alternate-world ‘Manhatan’ of Fringe, though.)
Was the statue bright and shiny when it first when up? Or had the copper been aged before the statue was erected — perhaps in the years that it took to build, so that it was green right from the start?
Obviously, the monochrome photos aren’t going to answer my question, though they did inspire me to actually sit down and see if I could find the answer.
First, I found a painting, from the official dedication of the statue, in 1886:

But that doesn’t solve anything! The colour is neither copper or green!
Then, I read the entire Wikipedia article — and finally found my answer:
Originally, the statue was a dull copper color, but shortly after 1900 a green patina, caused by the oxidation of the copper skin, began to spread. As early as 1902 it was mentioned in the press; by 1906 it had entirely covered the statue. In the belief that the patina was evidence of corrosion, Congress authorized $62,800 to paint the statue both inside and out. There was considerable public protest against the proposed exterior painting. The Army Corps of Engineers studied the patina for any ill effects to the statue and concluding that it protected the skin, “softened the outlines of the Statue and made it beautiful.”
Bingo! It was originally a “dull copper” — not bright, but completely covered by 1902.